#Most ridiculous indian action movie movie
#Most ridiculous indian action movie driver

Said mania allows him to pursue American tourist Alexandra Powers and Israeli thief Navin Chowdhry, who have come into possession of the seventh coin in one of many plot twists that strain credulity. His mania for finding the coin is spurred in part by his fragile mental state, which is anchored around a belief that he is, in fact, the reincarnation of Herod. O'Toole plays a British soldier obsessed with finding the titular object, a coin minted by the legendary King Herod. His charisma-on-overdrive turn and frantic assault on action scenes (every scene, really) elevates 'Bloodstone' past its limp premise and the grisly sight of comedian Charlie Brill in brownface as a bumbling Indian police inspector.

Though his appearance suggests anything but 'action star,' Rajinikanth delivers the sort of relentlessly over-the-top performance that earned him the adoration of millions of fans in India, where his popularity is roughly on par with Jackie Chan's in Asia during the height of his Hong Kong film period.

#Most ridiculous indian action movie driver

The film's primary raison d'etre is to serve as the English language debut of Tamil superstar Rajinikanth, who plays a cab driver caught up in the jewel hunt. The framing story is inconsequential, following newlyweds Brett Stimley (who played JFK in both Zach Snyder's 'Watchmen' and 'Transformers: Dark of the Moon') and Anna Nicholas (now an author, director, and playwright) after they accidentally obtain the titular ruby, which puts them in the crosshairs of suave villain Christopher Neame (whose character possesses the amazing name Ludwig Van Hoeven). Sure, it doesn't have the visceral punch of the 'Raiders' ending, but you still have to appreciate their ragged-but-right effort. Having finally secured jewels from two of the crowns (only three in total are featured in the film), Anthony's face melts, his head spins around, and flames shoot out of his shirtsleeves. Lacking the budget to pull off 'Raiders'-quality effects didn't keep Anthony and crew from attempting a visual assault on the senses in the film's finale. To paraphrase Indiana Jones: many of these films seemed to be making it up as they went along.Īnthony - an American actor and award-winning producer who appeared in a string of enjoyable spaghetti Westerns - co-writer Lloyd Battista, producer/co-star Gene Quintano, and director Ferdinando Baldi scored a modest 3-D hit in 1981 with the Western 'Comin' At Ya!' That film set the template for their approach to 3-D by hurling a small department store's worth of implements at the screen 'Four Crowns' ups the ante by tossing balls of fire, severed heads, skeletons, dogs, and even the rubble of a demolished castle at viewers. Here is a breakdown of some of the oddest, most offbeat and utterly ridiculous Indiana Jones rip-offs that actually played to audiences.

#Most ridiculous indian action movie movie

Of course, when George Lucas and Steven Spielberg's 1981 blockbuster 'Raiders of the Lost Ark' became a smash, it was not immune to these movie copycats, who attempted to capture its high adventure and thrilling special effects using outside-Hollywood resources. Foreign producers have been known to take the 'catch me if you can' approach to wholesale swiping of plots, characters, and even complete scenes from domestic blockbusters, resulting in Japanese Spider-men, Turkish Captain Americas, Italian Xenomorphs, and Bollywood Freddy Kruegers. International imitations of popular American movies, however, are a unique entity unto themselves. That principle has given us enjoyable coat-tail riders like the original 'Battlestar Galactica' (which drew on the popularity of 'Star Wars') and Lucio Fulci's 'Zombie' (a nod to George Romero's 'Dawn of the Dead') as well as bald-faced knock-offs like Roger Corman's 'Carnosaur' (a threadbare nod to 'Jurassic Park') and the entire mockbuster output of The Asylum. When it comes to the history of motion pictures, the rule of thumb has always been that if a movie is a major success, it's only a matter of time before other production entities start generating their own versions to siphon the original's acclaim (and box office).